<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://195.117.226.27:8080/xmlui/handle/123456789/84" />
  <subtitle />
  <id>http://195.117.226.27:8080/xmlui/handle/123456789/84</id>
  <updated>2026-02-24T15:26:55Z</updated>
  <dc:date>2026-02-24T15:26:55Z</dc:date>
  <entry>
    <title>Способы активизации студентов в процессе обучения иноязычной лексике</title>
    <link rel="alternate" href="http://195.117.226.27:8080/xmlui/handle/123456789/742" />
    <author>
      <name>Ziętala, Grzegorz</name>
    </author>
    <author>
      <name>Dźwierzyńska, Ewa</name>
    </author>
    <id>http://195.117.226.27:8080/xmlui/handle/123456789/742</id>
    <updated>2024-04-17T11:09:18Z</updated>
    <published>2009-01-01T00:00:00Z</published>
    <summary type="text">Tytuł: Способы активизации студентов в процессе обучения иноязычной лексике
Authors: Ziętala, Grzegorz; Dźwierzyńska, Ewa</summary>
    <dc:date>2009-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Sublimely Gifted but Destined to Fall: A Comparative Study of Conrad’s Kurtz and Milton’s Satan as the Archetype of Evil Genius</title>
    <link rel="alternate" href="http://195.117.226.27:8080/xmlui/handle/123456789/606" />
    <author>
      <name>Giza, Jarosław</name>
    </author>
    <id>http://195.117.226.27:8080/xmlui/handle/123456789/606</id>
    <updated>2024-01-26T11:06:50Z</updated>
    <published>2009-01-01T00:00:00Z</published>
    <summary type="text">Tytuł: Sublimely Gifted but Destined to Fall: A Comparative Study of Conrad’s Kurtz and Milton’s Satan as the Archetype of Evil Genius
Authors: Giza, Jarosław
Abstract: The publication of John Milton’s Paradise Lost has effectively reopened the partly&#xD;
forsaken ‘box’ with archetypes so as to trigger novel philosophical, religious and literary&#xD;
reflection upon their indispensable value in constructing the narrative framework. Its major&#xD;
value has also been generally perceived as taking apart the deck of traditionally placed&#xD;
emphases on those narrative phenomena and, after their extensive reordering, as stimulating&#xD;
an increase of crops in a field that has already proved so fertile in the past but has,&#xD;
unfortunately, become slightly abandoned. It facilitates the comprehension of archetypes as&#xD;
“the basic and supposedly universal preoccupations of humanity which are thought to inhere&#xD;
in the very structure of the soul, and of which the varieties of cultures with their different&#xD;
mythologies, imageries and concepts, are typical expressions” (Werblowsky, xiii); the literary&#xD;
figures acting not only as intermittent symbols, motifs or myths in literature, mythology or&#xD;
culture, but also as bare structures, unfilled patterns or theoretical possibilities, without any&#xD;
content, indicating the chance of loading the given outline with an imaginable, substantial and&#xD;
nameable content of some specified action, thought or perception.</summary>
    <dc:date>2009-01-01T00:00:00Z</dc:date>
  </entry>
</feed>

